Resources

The first team publication from this project has just been released! Albrecht Dürer's material world, edited by Edward H. Wouk and Jennifer Spinks. Manchester: Manchester University Press, 2023.

Bahl, Christopher D., and Stefan Hanß, eds. Scribal Practice and Global Cultures of Colophons, 1400–1700. Cham: Palgrave Macmillan, 2022.

Champion, Matthew S. ‘Pointing to a Deeper Now: Time, Sound, Touch and the Devotional Present in Fifteenth-Century Northern Europe.’ In Time and Presence in Art: Moments of Encounter (200–1600 CE), edited by Armin Bergmeier and Andrew Griebeler, 113-134. Berlin: De Gruyter, 2022.

Champion, Matthew S. ‘Measure and the material world of Dürer's Melencholia I.’ In Albrecht Dürer's material world, edited by Edward H. Wouk and Jennifer Spinks, 75-85. Manchester: Manchester University Press, 2023.

Champion, Matthew S. ‘Recasting Histories of Sound and Matter: Erasmus and the Bells of Averbode.’ The Sixteenth Century Journal 54 no.1/2 (Spring 2023): 73-98.

Cutter, Nat. ‘Grateful fresh advices and random dark relations: Maghrebi news and experiences in English expatriate letters, 1660-1710’. Cultural and Social History (2022), eprint.

Eichberger, Dagmar. ‘Art and Entrepreneurship: Dürer’s Encounters with Margaret of Austria and his Network at the Imperial Court.’ In Dürer’s Journeys: Travels of a Renaissance Artist, exhibition catalogue edited by Susan Foister and Peter van den Brink, 120-129. London: National Gallery, 2021.

Eichberger, Dagmar. ‘Kunst und Geschäftssinn: Albrecht Dürers Begegnungen mit Margarete von Österreich und sein Netzwerk am kaiserlichen Hof.’ In Dürer war hier. Eine Reise wird Legende, exhibition catalogue edited by Peter van den Brink, 137-50. Aachen: Suermondt-Ludwig Museum, 2021.

Eichberger, Dagmar. ‘The material and the immaterial: Saint Jerome in his Study’. In Albrecht Dürer's material world, edited by Edward H. Wouk and Jennifer Spinks, 87-97. Manchester: Manchester University Press, 2023.

Eichberger, Dagmar H., ed. A Spectacle for a Spanish Princess: The Festive Entry of Joanna of Castile into Brussels (1496). Turnhout: Brepols, 2023.

Eichberger, Dagmar. ‘Albrecht Dürers Kupferstich Der heilige Antonius vor der Stadt.’ In Das Werk im Zentrum: Kunstgeschichte mit Objekten aus dem Städel Museum und der Liebieghaus Skulpturensammlung; Festschrift für Jochen Sander zum 65. Geburtstag, edited by Berit Wagner, Almut Pollmer-Schmidt and Heidrun Lange-Krach, 124-31. Berlin: Deutscher Kunstverlag, 2023.

Ellinghaus, Katherine, Beth Marsden, Una McIlvenna, Fiona Moore and Jennifer Spinks. ‘Object–Based Learning and History Teaching: The Role of Emotion and Empathy in Engaging Students with the Past.’ History Australia 18, no. 1 (2021): 130-55.

Fletcher, Holly. ‘The Whitworth's sculpted Pietà from Renaissance Germany.’ In Albrecht Dürer's material world, edited by Edward H. Wouk and Jennifer Spinks, 121-125. Manchester: Manchester University Press, 2023.

Fletcher, Holly. ‘The Fat World of the Hutterites: Food and Fatness in the Criticism of Hutterite Anabaptists in Early Modern Moravia’, Food & History 21 (2023): 173-200.

Fletcher, Holly. ‘“Belly-Worshippers and Greed-Paunches”: Fatness and the Belly in the Lutheran Reformation’, German History 39 (2021): 173-200.

Fletcher, Holly. ‘Age, Gender and the Body in the Bronze and Pearwood Statuettes of 1520s’ Germany’, Gender and History 32 (2020): 341-372.

Handley, Sasha and John Morgan. ‘Environment, Emotion and Early Modernity: Introduction’. Environment and History 28, no. 3 (2022): 355-361.

Handley, Sasha. ‘Lusty Sack Possets, Nuptial Affections and the Material Communities of Early Modern Weddings’. Environment and History, 28, no. 3 (2022): 375-395.

Handley, Sasha. ‘Perilous possessions: Kachelöfen in Renaissance Nuremberg.’ In Albrecht Dürer's material world, edited by Edward H. Wouk and Jennifer Spinks, 23-33. Manchester: Manchester University Press, 2023.

Handley, Sasha and Charles Zika. ‘The home.’ In Albrecht Dürer's material world, edited by Edward H. Wouk and Jennifer Spinks, 131-135. Manchester: Manchester University Press, 2023.

Hanß, Stefan. ‘Making Featherwork in Early Modern Europe.’ In Materialized Identities in Early Modern Culture, 1450–1750: Objects, Affects, Effects, edited by Susanna Burghartz, Lucas Burkart, Christine Göttler and Ulinka Rublack, 137-85. Amsterdam: Amsterdam University Press, 2021.

Hanß, Stefan. ‘Digital Microscopy and Early Modern Embroidery.’ In Writing Material Culture History, second edition, edited by Anne Gerritsen and Giorgio Riello, 214-221. London: Bloomsbury, 2021.

Hanß, Stefan. ‘Eidechsenöl, Fledermaushirn, Bärenschmalz und Taubenkot: Haarpflege als Materialwissen im 16. und 17. Jahrhundert.’ [Lizard Oil, Bats’ Brain, Bears’ Lard, and Pigeon Droppings: The Material Knowledge of Haircare in the Sixteenth and Seventeenth Centuries] In Das Haar als Argument: Zur Wissensgeschichte von Bärten, Frisuren und Perücken, edited by Martin Mulsow, 55–80. Stuttgart: Franz Steiner Verlag, 2022.

Hanß, Stefan. ‘Face-Work: Making Hair Matter in Sixteenth-Century Central Europe.’ Gender & History 33, no. 2 (2021): 314–45.

Hanß, Stefan. ‘Feathers and the Making of Luxury Experiences at the Sixteenth-Century Spanish Court.’ Renaissance Studies 36 (2022).

Hanß, Stefan. ‘New World Feathers and the Matter of Early Modern Ingenuity: Digital Microscopes, Period Hands, and Period Eyes.’ In Ingenuity in the Making: Materials and Technique in Early Modern Europe, edited by Richard J. Oosterhoff, José Ramón Marcaida and Alexander Marr, 189-202. Pittsburgh: University of Pittsburgh Press, 2021.

Hanß, Stefan. ‘Timing Lepanto in Venetian Visual Culture: The Making of Present Past in the 1570s.’ In Time and Presence in Art: Moments of Encounter (200–1600 CE), edited by Armin Bergmeier and Andrew Griebeler, 137–58. Berlin: De Gruyter, 2022.

Hanß, Stefan, and Ulinka Rublack. ‘Knowledge Production, Image Networks, and the Material Significance of Feathers in Late Humanist Heidelberg.’ Renaissance Quarterly 74, no. 2 (2021): 412–53.

Hanß, Stefan. ‘The nature of lines: enviromateriality and ingenuity in Albrecht Dürer's material world’. In Albrecht Dürer's material world, edited by Edward H. Wouk and Jennifer Spinks, 49-61. Manchester: Manchester University Press, 2023.

Hanß, Stefan, Jennifer Spinks and Edward H. Wouk. ‘The workshop.’ In Albrecht Dürer's material world, edited by Edward H. Wouk and Jennifer Spinks, 151-154. Manchester: Manchester University Press, 2023.

Koerner, Stephanie, and Edward H. Wouk. ‘Art in Times of War’. Review of Marisa Bass, Insect Artifice: Nature and Art in the Dutch Revolt and Tine Meganck, Erudite Eyes: Friendship, Art and Erudition in the Network of Abraham Ortelius. Art History 44 (2021): 429-35.

Hanß, Stefan. Narrating the Dragoman’s Self in the Veneto-Ottoman Balkans, c. 1550–1650. London: Routledge, 2023.

Hanß, Stefan. “Gendering the Material Renaissance: Women, Industriousness and the Female Body at the Court of Württemberg.” German History 41, no. 3 (2023), https://doi.org/10.1093/gerhis/ghad031. WINNER OF THE GERMAN HISTORY ARTICLE PRIZE 2023.

Veronesi, Umberto, and Stefan Hanß. ‘“The Lute of Wisdom”: Alchemy, the Body, and Medicine in the Material Renaissance.’ Nuncius: Journal of the Material and Visual History of Science 38, no. 1 (2023): 1–31.

Hanß, Stefan. ‘The Peer Review.’ In Lizzie Marx et al., ‘Making Whiffstory: A Contemporary Re-creation of an Early Modern Scent for Perfumed Gloves.’ American Historical Review 127, no. 2 (2022): 888–91.

Hanß, Stefan. ‘Feathers and the Making of Luxury Experiences at the Sixteenth-Century Spanish Court.’ Renaissance Studies 37, no. 3 (2023): 399–438.

Marín-Aguilera, Beatriz, and Stefan Hanß, eds. In-Between Textiles, 1400–1800: Weaving Subjectivities and Encounters. Amsterdam: Amsterdam University Press, 2023.

Rublack, Ulinka, and Stefan Hanß. ‘Ulinka Rublack on Early Modern Microscopic Records.’ Microscopic Records: The New Interdisciplinarity of Early Modern Studies, c.1400–1800. Blog, University of Manchester, 18 December 2020.

Spinks, Jennifer. Review Article. ‘After Luther: Visual Culture, Materiality and the Legacy of 1517.’ Journal of Ecclesiastical History 72, no. 4 (2021): 822-27.

Spinks, Jennifer. ‘Riding the Juggernaut: Embodied Emotions and ‘Indian’ Ritual Processions through European Eyes, c. 1300-1600.’ In Matters of Engagement: Emotions, Identity and Cultural Contact in the Pre-Modern World, edited by Daniela Hacke, Claudia Jarzebowski and Hannes Ziegler, 123-50. London: Routledge, 2021.

Spinks, Jennifer and Edward H. Wouk. ‘Introducing Albrecht Dürer's material world.’ In Albrecht Dürer's material world, edited by Edward H. Wouk and Jennifer Spinks, 35-47. Manchester: Manchester University Press, 2023.

Spinks, Jennifer. ‘Objects in motion: Albrecht Dürer's Nemesis.’ In Albrecht Dürer's material world, edited by Edward H. Wouk and Jennifer Spinks, 1-6. Manchester: Manchester University Press, 2023.

Wouk, Edward H. Dominicus Lampsonius: The Life of Lambert Lombard (1656); and Effigies of Several Famous Painters from the Low Countries (1572). Critical edition and translation with Helen Dalton and Julene Abad del Vecchio. Los Angeles: Getty Research Institute, 2021.

Wouk, Edward H. ‘Giorgio Vasari, Dominicus Lampsonius, and the Print as Work of Art.’ I Tatti Studies 25, no. 1 (2022), 89-131.

Wouk, Edward H. ‘Albrecht Dürer's Landscape with a Cannon of 1518: the matter of etching.’ In Albrecht Dürer's material world, edited by Edward H. Wouk and Jennifer Spinks, 99-111. Manchester: Manchester University Press, 2023.

Wouk, Edward H. and Dagmar Eichberger. ‘The study.’ In Albrecht Dürer's material world, edited by Edward H. Wouk and Jennifer Spinks, 175-178. Manchester: Manchester University Press, 2023.

Wouk, Edward H. Review of Jeroen Luyckx, The Liefrinck Dynasty. The New Hollstein. Dutch & Flemish Etchings, Engravings and Woodcuts 1450-1700, edited by Huygen Leeflang (Ouderkerk aan den IJssel: Sound & Vision Publishers, 2021). Print Quarterly 40, no. 3 (2023): 347-53.

Wouk, Edward H. ‘Hieronymus Cock, Pieter Bruegel, and the Printed Image of Art History.’ In Tine Meganck and Sabine van Sprange, eds., Bruegel et l’Italia / Bruegel and Italy, 21-51. Louvain: Peeters, 2023.

Zika, Charles. ‘Heavenly Portents and Divine Anger: The Emotional Intensity of Fire in the Sixteenth-Century Collection of Johann Jakob Wick’, in ‘Fire Stories’, special issue edited by Grace Moore, Occasion 13 (2022): 49–63.

Zika, Charles. ‘Reformations Past and Future: Global, Multidisciplinary, and Experiential.’ In The Cultural History of the Reformations: Theories and Applications, edited by Susan Karant-Nunn and Ute Lotz-Heumann, 23-38. Wolfenbüttel: Herzog August Bibliothek, 2021.

Zika, Charles. Review of Hannah Murphy, A New Order of Medicine: The Rise of Physicians in Reformation Nuremberg (Pittsburgh: University of Pittsburgh Press, 2019). Journal of the History of Medicine and Allied Sciences, 76 no. 3 (July 2021): 350-52.

Zika, Charles. ‘The Treasury Image of Mariazell: The Materialisation of Hope, Assurance and Security.’ In ‘Material Culture, Nature and the Emotions, from the Middle Ages to the Anthropocene’, special issue edited by Stephanie Trigg and Anna Welch, Emotions: History, Culture, Society 7, no. 1 (June 2023), 52-75.

Zika, Charles. ‘Objects of devotion and instruments of memorialisation: The Mass of Saint Gregory.’ In Albrecht Dürer's material world, edited by Edward H. Wouk and Jennifer Spinks, 63-73. Manchester: Manchester University Press, 2023.

Homepage header – Albrecht Dürer, St. Jerome in His Study, 1514. Metropolitan Museum of Art, New York, Fletcher Fund, 1919, Acc. No. 19.73.68.

About page header– Albrecht Dürer, The Draughtsman of the Lute, 1525. Metropolitan Museum of Art, New York, Gift of Henry Walters, 1917, 17.37.313.

Team page header – Albrecht Dürer, The Bath House, c. 1496. Metropolitan Museum of Art, New York, Gift of Felix M. Warburg and his family, 1941, Acc. No. 41.1.202.

Exhibition page header – Albrecht Dürer, Glorification of the Virgin, c. 1502. Metropolitan Museum of Art, New York, Rogers Fund, 1918, Acc. No. 18.65.19.

Exhibition page inset – Albrecht Dürer, The Sea Monster, 1498-1501. The Whitworth, The University of Manchester, P.3017, Gift of George Thomas Clough, 1921 © The University of Manchester.

Project Events page header – Albrecht Dürer, Knight, Death and the Devil, 1513. Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1943, Acc. No. 43.106.2.

Team Presentations page header – Albrecht Dürer, The Dream of the Doctor, c.1498. Metropolitan Museum of Art, New York, Gift of Henry Walters, 1917, 17.37.307.

Resources page header – Albrecht Dürer, The Lady on Horseback and the Lansquenet, c. 1497. Metropolitan Museum of Art, New York, Fletcher Fund, 1919, Acc. No. 19.73.94.

Contact page header – Albrecht Dürer, Melancholia, 1514. 
Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1943, Acc. No. 43.106.1.